RAINER MARIA RILKE of his life and the beginning”, Rilke was blessed indeed. He himself told his son-in-law and biographer that the roots of his life’s work went back far into his childhood. Rilke’s life was peculiarly of a piece, a coat without seam ; nothing that enriched his last great poems was not discernible, in rudimentary form, in his earliest writing, and not one of the essentials of his youthful character and genius appears to have become atrophied in him. At the age of thirty-five he was still re-living his own childhood, with fascination and with anguish, in the wonderful childhood passages of Malte Laurids Brigge ; and his fourth Duinese Elegy, written in the bitter war years, looks to the integrity of childhood as the only resolution of the fatal dichotomy between the actual and the possible in human nature, and to its timelessness as the only answer to the challenge of time. NOTE 4, PAGE 14 After seven months of living in Paris, exhausted by ill-healch and the power of Rodin’s personality, Rilke could bear his imprisonment in this city of hospitals, “armies of sick, hosts of dying, nations of dead”” no more, and fled alone to a favourite haunt * in Italy for some weeks of solitude and sun-bathing. He lay in the warm sand, ran and danced in the wind, swam in the sea, and loved whenever possible to cast off his borrowed bathing-costume of red-and-black striped stockinette and take these pleasures naked. This was the beach where Shelley’s body was washed ashore and buried, later to be exhumed and burned. NoTE 5, PAGE 15 Jens Peter Jacobsen (1847-1885), naturalist and psychological novelist, was the son of a merchant and a schoolmaster’s daughter, who gave him a happy upbringing in a little harbour town in Denmark. The enthusiasm of his youth was divided between botany (his expeditions in the near-by marshes in search of algae possibly undermined his health) and versifying (his early poems were damned with faint praise by the great critic Georg * In that same year Viareggio was harbouring two other holiday- makers, d’Annunzio and Quida. 46