LETTERS TO A YOUNG POET Do not let yourself be governed by it, especially not in un- productive moments. In productive ones try to make use of it as one more means of seizing life. Used purely, it is itself pure, and one need not be ashamed of it; and when you feel too familiar with it, when you fear the growing intimacy with it, then turn towards great and serious subjects, before which it becomes small and helpless. Seek for the depth of things: there irony never descends—and when you have thus brought it to the edge of greatness, test at the same time whether this mode of perception springs from a necessity of your being. For under the influence of serious things it will either fall away from you (if it is something non-essential), or else it will (if it belongs to you innately) with gathering strength become a serious tool and be ranked among the means by which you will have to form your art. And the second thing that I wanted to tell you today is this: Only a few of all my books are indispensable to me, and two of these are actually always among my things wherever I am. Even here they are round me: the Bible, and the books of the great Danish writer Jens Peter Jacobsen.® It occurs to me to wonder whether you know his works. You can easily procure them, for a part of them has appeared in Reclam’s Universal Library in a very good translation. Get hold of the little volume called Six Tales by J. P. Jacobsen, and his novel Niels Lyhne, and start with the first story in the former book, which is called Mogens. A world will come over you, the happiness, the wealth, the inconceivable greatness of a world. Live for a while in these books, learn from them what seems to you worth learning, but above all love them. Your love will be repaid a thousand thou- sandfold, and whatever your life may become,—will, Iam con- vinced, run through the texture of your growing as one of the most important threads among all the threads of your experi- ences, disappointments and joys. If I am to say from whom I have learnt anything about the nature of creation, about its depth and everlastingness, there are IS