17
MUSICAL COU ÈIÈ R
May 17, 1923
The Dancing Attraction Supreme
RUTH ST. DENIS
with
TED SHAWN
and the
DENISHAWN DANCERS
With an Instrumental Quartet Directed by Louis Horst
Photo © Hoppe, London.
NEXT SEASON’S BOOKINGS INCLUDE
RE-ENGAGEMENTS
THIS SEASON’S RECORD PERFORMANCES
IN 130 CITIES
180
Endorsed with Equal Enthusiasm by Leading Concert Managers and Critics
“It was about the most satisfying opening attraction I have had for the Furlong series for many a season.”— Jas. E. Furlong. (Rochester, N. Y.) (Has taken matinee and night.)	t
“The show is sumptuously beautiful. IVe managers are indebted to you for putting it over.”—Elizabeth Cueny. (St. Louis, Mo.) (Has taken two nights.)
“The Ruth St. Denis show is great. I want a block of dates for them next season.”—W. A. Fritschy. (Kansas City, Mo.) (Has taken Kansas City, Atchison, Topeka.)
“I am happy to say that the St. Denis ballet is the only organization of the kind which I have ever brought to Cleveland that has been properly managed.”—Mrs. Franklyn B. Sanders. (Cleveland.) (Has taken two nights.)
As nearly perfect as any program of dances, it is safe to say, Kansas City has seen. Kansas City Times.
The large audience was thrilled to the highest pitch by the marvelous artistry.—Rochester Evening Journal.
The great thing was the art of Miss St. Denis, an art from whose subtle significance in facial and bodily expression even the Russians have much to learn/—St. Louis Times.
The best company of dancers on the American stage today.—Cleveland Plain Dealer.	\
The Denishawns realize the art of Terpischore in its nth degree of perfection.—Cleveland Press.
She doesn’t merely dance. She is the rhythm of the world.—New York Evening Mail.
More splendor to dazzle the eye could scarcely be found in the “Follies.”—New York Globe.
As varied, colorful and subtly thrilling as a volume from the Arabian Nights.•—Boston Globe.
For I or More of the 43 Dates Yet Available for Next Season Address:
DANIEL MAYER	AEOLIAN HALL	NEW YORK
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