39 MUSICAL COURIER THE WESTMINSTER COLLEGE GIRLS’ GLEE CLUB concert in New Castle, at which time the organization was equally well received. The audience was large and was not slow in showing its appreciation by sincere and enthusiastic applause. The club was on tour from March S to March 9, other appearances made being in Sharpsburg, Elizabeth, Braddock, Pittsburgh and Ben Avon. The personnel of the Westminster College Girls’ Glee Club is as follows: First sopranos: Lois Carroll, Dorothy French, Rebecca Gibson, Irene Knobloch, Edith Lockhart, Margaret Macbeth, Ethel McClelland, Martha McCullough, Hazel McGill, Anna Mary McLaughlin, Mary McLaughrv, Martha McPherson, Marion Quinn, Lois Sackman, Martha Weingartner; second sopranos—Mary Beatty, Ruth Foster, Mary E. Gibson, Cornelia Gilkey, Laura Louise Latimer, Flora Ellen Martin, Margaret McClure, Martha McConnell, Florence McLane; first altos—Alice Douthett, Margaret Hinkley, Grace Jones, Ruth McConnell, Francelia Osborn, Irma Sutton, Mary Whiteman; second altos—Isabel Chal-lener, Betty Dunlap, Mary North, Ruth Robinson, Mary Young, Elizabeth White, Dorothy Wise, Helen Wylie; at the piano, Margaret Fraser. Westminster College Girls’ Glee Club Active The Girls’ Glee Club of Westminster College, New Wilmington, Pa., gave a most enjoyable concert in its home town on March 1. Per Nielsen׳, who is the director of the club and also of the music department at Westminster College, had reason to feel proud of the results accomplished. A capacity audience was on hand and great enthusiasm was shown over the work of the chorus. The varied numbers were sung with spirit and good style, and included Drink to Me Only With Thine Eyes; Annie Laurie; Swing Low, Sweet Chariot, Burleigh; I’m so Glad Trouble Don’t Last Alway, Dett; Ole Uncle Moon, Scott; Good-Bye, Tosti; Welcome, Pretty Primrose, Pinsuti; Come With the Gypsy Bride (from the Bohemian Girl), Balfe; Little Boy Blue, Nevin; The Elephant and the Chimpanzee, Sims; From the Land of Sky Blue Water, Cadman, and Night of Joy, Strauss. There was also a number by a quartet and a piano solo by Margaret Fraser, who was the efficient accompanist as well. March S, Mr. Nielsen directed the Girls’ Glee Club in a in B minor and a gavotte in A major composed by Mr. Laros. Following Mr. Laros’ appearance in Philadelphia, playing the MacDowell D minor concerto with the Philadelphia Orchestra, the critic of the Record said: “Mr. Laros was easily the star of the performance. He has keen musical talent and a prodigious technic.” One of the comments in the Philadelphia Ledger was to the effect that “Mr. Laros played brilliantly and was recalled many times for his remarkable performance of the American concerto.” Free Offer to Piano Teachers The initial book of any course of study is the most important because upon it hinges all that follows, and to start the pupil right is a fundamental necessity. The First Quarter of the First Year of the Music Students Piano Course has been as highly praised as it has been widely used, but the editors, seeking perfection, have just revised and enriched this beginner’s book. In accord with the progressive methods of today both clefs are used at the start; and in order to give the beginner an abundance of material the 56 pages of these first nine lessons have been crowded as full of attractive music as possible. We want every user of the course and every wide-awake teacher interested in it to have a free copy of this new edition. We are therefore offering to send such Piano Teachers without charge a copy of the 1923 edition of the First Quarter of Year One of The Music Students Piano Course. All you have to do is to send at once your full name and address with the number of your piano pupils to OLIVER DUS ON COMPANY, Dept. 11 BOSTON 10, MASS. (This offer expires May 5th) HASTE TO THE BOWER OF ROBIN HOOD. Arranged by Alfred Moffat. DILLY, DALLY, SILLY SHALLY. (Old English). Arranged by Alfred Moffat. Part Songs for Men’s Voices (Oliver Ditson Co.) THE WRECK OF THE JULIE PLANTE. By Geoffrey O’Hara. Baritone solo. (G. Schirmer, Inc.) SIBERIA. By Frederick E'bsen Starke. Full chorus of six parts with baritone solo, or mezzo-soprano. M. J. {To be continued) Laros in First New York Recital Earle Laros, pianist, will give his first New York recital at Aeolian Hall, Friday afternoon, April 13. Mr. Laros has had an interesting career. One of his first appearances EARLE LAROS was with the Volpe orchestra, when he toured with that organization as soloist in the Liszt and Chopin concertos. These appearances were veritable triumphs and Mr. Laros was immediately engaged to play the MacDowell D minor concerto with the Philadelphia Orchestra under Stokowski; the Tschaikowsky concerto with the Russian Symphony Orchestra; and the Saint-Saëns concerto in G minor with the New York Philharmonic Orchestra under Stransky. Mr. Laros has made a speciality of historical recitals, many of which have been given in the leading schools and colleges. His repertory is very large and contains the standard works from the 16th century to the present time. Mr. Laros’ Aeolian Hall program includes Schumann’s sonata in F sharp minor, op. 11, two choral preludes by Bach-Busoni, and shorter works by Scarlatti, Beethoven, Chopin, Debussy, Dubois, and Chabrier, as well as a prelude April 5, 1923 COME WHERE THE LILIES BLOOM. By Will L. Thompson. CARMENA. By H. Lane Wilson. Arranged by F. E. Rich. Four Part Songs for Women’s Voices (Lorenz Publishing Co.) MY TASK. By E. L. Ashford. (Oliver Ditson Co.) SUCH A LI’L FELLOW. By William Dichmony. Arranged by Philip Greely. FOR YOU. By A. F. Andrews. Arranged by Lucian G. Chaffin. (Arthur P. Schmidt Co.) MIDNIGHT. By Charles Sanford Skilton. (Willis Music Co.) DOWN IN THE WOODLAND. By Elgar. Arranged by Paul Bliss. THE VIOLET. The Humoreske of Dvorak. Arranged by Paul Bliss. WELCOME SWEET SPRING-TIME. By Rubinstein. Arranged by F. E. Rich. O COLUMBIA, COLUMBIA BELOVED. By Donizetti. Arranged by Viano. Trios for Soprano, Alto and Bass (Willis Music Co.) SUNSET LIGHT. By Walter H. Aiken. THE SPIRIT OF THE GAME. By Walter H. Aiken. THE BREAKING WAVES DASHED HIGH. By Browne. Arranged by W. H. Aiken. PRAISE OF OUR ALMA MATER. By M. A. Stewart. THE PIPES OF SPRING. By M. J. Lyon. MOONLIGHT. By J. J. Gardner. CLASS SONG. By Paul Bliss. (The above are for high school work. The bass, which carries the melody, can be sung an octave higher for unchanged voices.) (Lorenz Publishing Co.) (The following are all arranged by Ira B. Wilson.) INDIAN LULLABY, WHEN DE BANJO PLAYS, HUNTING SONG, COMRADES OF THE ROAD, HIAWATHA’S JOURNEY. Four Part Chorus or Quartet of Men’s Voices (G. Schirmer, Inc.) THE HUNDRED PIPERS. (Scottish). Arranged by Arthur Whiting. With four hand piano accompaniment. Full chorus. LAMENT FOR OWEN ROE O’NEILL. (Irish). Arranged by Arthur Whiting. For full chorus with baritone solo. Four hand accompaniment. (Oliver Ditson Co.) MY ׳ROSE OF YESTER-E’EN. By Marie Rich. Arranged by S. R. Gaines. TO LIVE AND LOVE AGAIN. By Hartley Moore. SMILE. By Lee G. Kratz. AND SO DID HE. By Alfred Wooler. MISS GRADY. By Addison F. Andrews. GOIN’ HOME. From the largo of From The New World Symphony, Dvorak. Arranged by William Arms Fisher. WHO DID SWALLOW JONAH? Arranged by Daniel Protheroe. {Arthur P. Schmidt Co.) THE OPEN ROAD. By Earl Towner. TWILIGHT FO’ DREAMIN’. By Claude Warford. PEACE. By S. E. Lovatt. Maestro A. SEISMIT-DODA Tha ״ucc8m,u| exponent o! —U " Qj-iomil IflfUM tha rea, Italian vocal method 54 West 39th Street, New York Phono 4045 Fitz Roy (Composer, member Royal Academy of St. Cecilia of Rome, Italy; formerly of the faculty vocal and coaching department National Conservatory of Music of New York, and of New York German Conservatory of Music. Chevalier of the Crown of Italy.) R TEACHER OF SINGING L-i Studio: 167 West 79th St., New York. Tel. Schuyler 1978 ARVIDA VALDANE New York, N. Y. SOPRANO 407 Knabe Building EDOARDO PETRI Vocal Instructor Studios: 1425 Broadway, New York City Telephone Penmylvania 2628 WOLDEMAR SCHNEE (״f Bar.¡״) Hand. Specialist (Recommended by Busoni, Joachim, Safonoff, Breit-haupt, Taneiev, Clarence Adler, Joseph Lhevinne, Ernest Schelling, Oliver Denton, etc., etc.) Just published and for sale at all music stores. “Improving Musicians’ Hands” Price 20 cents Permanent Residence, 137 West 86th Street, New York City Tel. Schuyler 7158