33
MUSICAL COURIER
March 2 9, 1923
heit (Hugo Wolf), Der Schmied (Brahms), Deep Water Song (Mary Helen Brown), There Is No Death (O’Hara), I Have Sung My Song (Ashford), Mr. Flood.
Sundelius to Sing in Opera and Concert Abroad
Marie Sundelius, Metropolitan Opera soprano, will sail for Europe around the first of July to be gone until the end of November. She has been engaged for ten performances at the Royal Opera in Stockholm for the early fall season. Following these appearances, which will present her in the leading soprano roles in Faust, La Boheme, Lohengrin, Pagliacci and two other operas, one of which in all probability will be Romeo and Juliette, Mme. Sundelius will sing in concerts in the principal cities of Sweden, Norway and Denmark. She will return to the United States in late November, as stated above, and will then be available for recitals and concerts in this country for the remainder of the 1923-24 season.
Lucille Oliver Recital, April 5
Bach, Leginska, Anthony Bernard, Goossens, Ravel and Chopin compositions will figure on the program of Lucille Oliver, who is to give her second New York piano recital at Aeolian Hall on Thursday evening, April 5. Miss Oliver, a Leginska pupil, will be remembered for a very successful New York debut season before last. Since then she has played in England, on the continent and elsewhere.
gelberg’s direction in Carnegie Hall. Lamond will be soloist, playing Tschaikowsky’s B flat minor piano concerto. Rabaud’s Eclogue and Schelling’s A Victory Ball are the other selections to be played.
Next Sunday afternoon at the Academy of Music in Brooklyn, the Philharmonic Orchestra under Willem Men-gelberg will play Beethoven’s Coriolanus Overture, Liszt’s The Preludes, Rabaud’s Eclogue and the overture to Wagner’s Die Meistersinger. Artur Schnabel, soloist, will play Brahms’ piano concerto No. 1 in D minor.
Jean Hannon and Paul T. Flood in Concert
Jean Hannon, of Wilkes-Barre, Pa.,, student of Oscar Saenger, recently appeared in concert at the Wurlitzer Auditorium, singing three groups of songs. Miss Hannon disclosed a coloratura soprano voice of lovely _ quality, a real singing talent combined with artistic feeling and a charming personality, which immediately won her audience. If she continues in the path she is following, she will go far.
Another artist-student of Mr. Saenger’s, Paul T. Flood, of Cleveland, who possesses a fine, sympathetic baritone voice and sings with good style and an intelligent appreciation of the text, gave a group of four songs. Mrs. Flood, a fine pianist, accompanied her husband.
The program follows: Villanelle (dell’ Acqua), Marcheta (Schertzinger), The Three Cavaliers (arr. by Schindler), Maria’s Wiegenlied (Max Reger), The Dove (Landon Ronald), Damon (Max Stange), Miss Hannon; Verborgen-
An Earnest Invitation to Join the Musicians Club of New York /ncorpora,erf;9//
173 MADISON AVENUE (at 34th Street)
Tne one Club with Permanent Quarters for the use of its Members
The object of the Club is to promote social intercourse and good fellowship among its members for mutual benefit and pleasure.
MEMBERSHIP PRIVILEGES
The Club Rooms are conveniently located and open daily from 11 A. M. until midnight.
Musical Publications are on file; also a select reference library, and the usual club conveniences for correspondence, reading or conference.
Short practice periods, rehearsals, composition demonstrations, private musicals, card parties, or other socials may be arranged for by communicating with the House Secretary.
Club Dinners, Recitals, Receptions, Lectures and other interesting events take place during the season which are open to members and their guests.
Members may also have the advantage of our special rate season Subscription to Saturday night Metropolitan Opera.
It is intended that our membership shall be fully representative of every department of musical activity interested in a Social Centre and meeting place for musicians at home or from abroad, provided with every requirement for Club purposes; including ample facilities to aid the multitude of students in our City who come from all parts of the country—the American Musician of tomorrow. The call and need for such service is imperative.
It is hoped that these noble aims will inspire a desire to assist in the consummation of our progressive plans and encourage a membership able and willing to lend loyal support to so worthy an enterprise.
WHAT HAS IT DONE?
For more than a dozen years it has maintained comfortable quarters for the use of its members, and during the World War cheerfully gave the use of its rooms for Red Cross work and other patriotic purposes. Practically its entire membership demonstrated its loyalty and patriotism by willing service without thought of compensation, on battle-field, in camp, hospital, and Community work, here and “over there,’’ and in doing its share to cheer and take care of those who returned sick and disabled.
WHAT IS IT DOING NOW?
Endeavoring in every possible way to assist the great host of students who come to our City annually seeking proper instruction and advice; and in furthering public interest in the compositions of American Composers.
WHAT DO WE ASK?
For our profession recognition for service performed—in the establishing of a suitable Club Center which will afford proper facilities for the full accomplishment of our plans in every detail. All other branches of Art have such premises—why not ours?
A REPRESENTATIVE MEMBERSHIP
In order to obtain a greatly enlarged membership and to enlist the personal co-operation of the entire musical fraternity, the cost of membership has been placed within the reach of all by eliminating the usual Entrance Fee and Federal tax charge for the present year.
Persons who are or have been associated professionally with music in any of its branches may be admitted as Active Members. This includes Managers, Agents, Critics and Writers.
If those who are entitled to share the inspiration of this unusual organization claim their privilege, the Musicians Club of New York will be one of the City’s outstanding examples of harmonious co-ooeration—JOIN NOW.
Address Application for Membership to The Board of Governors, Musicians Club of New York, 173 Madison Ave., New York (at 34th Street.)
Telephones 6946-6967 Ashland
WHERE THEY ARE TO BE
From March 29 to April 12
Letz Quartet:
Brooklyn, N. Y., April 2. Loring, Harold:
Chicago, 111., Mar. 29.
Macbeth, Florence:
Council Bluffs, Iowa, April 3. Chanute, Kans., April 6. Houston, Texas, April 9.
Murphy, Lambert:
Williamsport, Pa., April 9.
Maier, Guy:
Chicago. 111., April 8.
Des Moines, Iowa, April 12.
Novaes, Guiomar:
Indianapolis, Ind., April 1. Phoenix, Ariz״ April 5.
Los Angeles, Cal., April 7.
San Diego, Cal., April 12.
Nyiregyhazi, Erwin:
Atlantic City, N. J., Mar. 31. Philadelphia, Pa., April 2. Brooklyn, N. Y., April 4. Albany, N. Y., April 6.
Boston, Mass., April 8.
Dover, N. J., April 11.
Onegin, Sigrid:
Lindsborg, Kans., April 1. Syracuse, N. Y., April 4. Chicago, 111., April 6.
New Britain, Conn., April 8.
Paderewski, Ignace:
Columbus, Ohio, April 3. Springfield, Ohio, April 5. Toledo, Ohio, April 8.
Akron, Ohio, April 10.
Troy, N. Y., April 12.
Pattison, Lee:
Chicago, 111., April 8.
Powell, John:
Houston, Texas, April 4-6. Farmville, Va., April 10. Roanoke, Va., April 11. Hollins, Va., April 12.
Ringling, Robert:
Victoria, B. C., Mar. 29. Seattle, Wash., Mar. 30. Bellingham, Wash., April 2. The Dales, Ore., April 3. Spokane, Wash., April 6.
Rubinstein, Erna:
Minneapolis, Minn., April 12.
Ruffo, Titta:
Portland, Ore., Mar. 30.
San Francisco, Cal., April 1. Lincoln, Nebr., April 5.
St. Denis, Ruth:
Waterloo, Iowa, Mar. 29. Clinton, Iowa, Mar. 30. Dubuque, Iowa, Mar. 31. Chicago, 111., April 2. Bloomington, 111., April 3. Chicago, 111., April 4.
Reading, Pa., April 6. Philadelphia, Pa., April 7.
Schelling, Ernest:
Chicago, 111., April 6-7.
Schumann Heink, Ernestine:
Houston, Texas, April 1.
San Antonio, Texas, April 3. Dallas, Texas, April 5.
Abilene, Texas, April 7. Amarillo, Texas, April 9. Denison, Texas, April 11.
Seagle, Oscar:
Pittsburgh, Pa., April 6. Lynchburg, Va., April 10.
Shawn, Ted:
Waterloo, Iowa, Mar. 29. Clinton, Iowa, Mar. 30. Dubuque, Iowa, Mar. 31. Chicago, 111., April 2. Bloomington, 111., April 3. Chicago, 111., April 4.
Reading, Pa., April 6. Philadelphia, Pa., April 7.
Spalding, Albert:
Chicago, 111., Mar. 30-31.
Stanley, Helen:
Detroit, Mich., April 5-6.
Thibaud, Jacques:
San Francisco, Cal., April 1. Chico, Cal., April 2.
Portland, Ore., April 4. Tacoma, Wash., April 5. Seattle, Wash., April 9. Spokane, Wash., April 12.
Tsianina, Princess:
Alliance, Ohio, April 2. Bellevue, Ohio, April 3. Columbus, Ohio, April 5. Evansville, Ind., April 9. Washington, Iowa, April 11.
Alcock, Merle:
Detroit, Mich., April 5-6.
Bock, Helen:
Middletown, N. Y., Mar. 31. Bonelli, Richard:
Seattle, Wash., Mar. 2631־. Spokane, Wash., April 2-4.
Cadman, Charles Wakefield:
Alliance, Ohio, April 2. Bellevue, Ohio, April 3. Columbus, Ohio, April 5. Evansville, Ind., April 9. Washington, Iowa, April 11.
Calve, Emma:
Hartford, Conn., April 2. Washington, D. C., April 6.
Casella, Alfredo:
Chicago, 111., April 1. Cincinnati, Ohio, April 3. Indianapolis, Ind., April 8.
Chaliapin, Feodor:
Grand Rapids, Mich., Mar. 31. Washington, D. C., April 3. Portland, Me., April 5.
Cortot, Alfred:
Berkeley, Cal., Mar. 29.
San Francisco, Cal., April 1. Chico, Cal., April 2.
Portland, Ore., April 4. Tacoma, Wash., April 5. Vancouver, B. C., April 6. Bellingham, Wash., April 10. Spokane, Wash., April 12.
Eastman, Florence:
Louisville, Ky., April 4. Fanning, Cecil:
Eagle Grove, Iowa, April 9. Cedar Falls, Iowa, April 11.
Fitziu, Anna:
Denver, Colo., March 29-31. Flonzaley Quartet:
Bisbee, Ariz., Mar. 31.
Tucson, Ariz., April 2. Riverside, Cal., April 3.
Santa Barbara, Cal., April 4. Santa Ana, Cal., April 6.
Los Angeles, Cal., April 7. Bakersfield, Cal., April 9. Merced, Cal., April 10. Berkeley, Cal., April 11.
Santa Rosa, Cal., April 12.
Gabrilowitsch, Ossip:
Boston, Mass., April 8. Galli-Curci, Amelita:
Oklahoma City, Okla., Mar. 30. Hayden, Ethyl:
Pittsburgh, Pa., April 6. Greensburg, Pa., April 9.
Heifetz, Jascha:
Poughkeepsie, N. Y., April 6. Chicago, 111., April 8.
Hempel, Frieda:
Atlantic City, N. J., April 1. Clinton, Mass., April 3. Boston, Mass., April 5. Norwich, Conn., April 6. Springfield, Mass., April 7. Johnstown, Pa., April 9. Canton, Ohio, April 11. Hinshaw’s Cosi Fan Tutti Company:
Wenatchee, Wash., Mar. 29. Kalispell, Mont., Mar. 31.
Hinshaw’s Cox and Box Co.:
Thermopolis, Wyo., Mar. 29. Lander, Wyo., Mar. 31.
Red Lodge, Wyo., April 2. Butte, Mont., April 4. Roundup, Mont., April 5. Sidney, Neb., April 7.
Kalispell, Mont., April 9. Lewiston, Idaho, April 10.
Howell, Dicie:
Scranton, Pa., April 5.
Jeritza, Maria:
Nashville, Tenn., Mar. 29. Boston, Mass., April 4.
Toledo, Ohio, April 6. Milwaukee, Wis., April 10. Columbus, Ohio, April 12.
Johnson, Edward:
Oakland, Cal., Mar. 30.
Fresno, Cal., April 2.
Los Angeles, Cal., April 3.
El Paso, Texas, April 5. Chicago, 111., April 11. Keener, Suzanne:
Trenton, N. J., Mar. 29. Brooklyn, N. Y., April 3.
Konecny, Josef:
Clinton, Okla., Mar. 29.
Elk City, Okla., April 3. Waurika, Okla., April 4.
Altus, Okla., April 5.
Lawton, Okla., April 6. Duncan, Okla., April 9.
Cincinnati Festival Announcement
The program for the semi-centennial Cincinnati May Festival, May 1-5, contains an imposing list of choral works to be given under the direction of Frank van der Stucken, accompanied by the Cincinnati Symphony Orchestra,׳ Fritz Reiner conductor. A first performance of Hadley’s Re-surgam will close the festival. Other works are The Elijah (Mendelssohn), B minor mass (Bach) and The Children’s Crusade (Pierne). The new organ will be dedicated at a special orchestral matinee with Charles Heinroth, organist, and Florence Easton, soprano, as soloists. Other soloists announced are Sigrid Onegin, Marie Sundelius, Merle Alcock, Edward Johnson, Lambert Murphy, Dan Beddoe, Clarence Whitehill and Charles Tittmann. The choral bodies participating are the May Festival Chorus of 400, N. C. R. choir of eighty (from Dayton, Ohio), Mt. St. Marys Seminary choir of fifty,, chorus of 800 children from the public schools, chorus of ISO girls from convent schools, and solo chorus of fifty.
Lamond Soloist with Philharmonic
Roussel’s Pour une Fete de Printemps will have its first New York performance tonight (Thursday) when it will be played by the Philharmonic Orchestra, under Willem Men-