57 MUSICAL COURIER of the artist and a prominent local pianist and organist. Mr. Rechlin played a program of Bach and Mendelssohn in masterly style. The music section of the Woman’s Department Club has recently presented some excellent programs, among them recitals by Eugenie DeCourcy, pianist, and Alma Robertson, soprano. Miss DeCourcy, one of Terre Haute’s talented young artists, gave an excellent demonstration of her ability in a very attractive program. _ Her training was received from Anna Elisabeth Hulman, in Terre Haute, and Josef Lhevinne in Chicago. She is under the management of George Jacob. Alma Robertson, who is the possessor of a soprano voice of power and beauty, gave a program of Italian music. It was her first appearance in recital since her graduation from the American Conservatory, Chicago. The afternoon was devoted to the study of Italian opera. A. E. H. Waterloo, la., February 2.—Albert Spalding was heard in a recital at the College’s Auditorium, Cedar Falls, la., last night. His program opened with his own transcription of Corelli’s La Folia. He played Mozart’s concerto in D major, his own composition, Alabama, and the Cesar Franck sonata in A major. N. F. Warren, Ohio, February 8.—The Rhondda Welsh Male Glee Singers were presented in recital in the Central Christian Church. Choruses, quartets, duets and solos were offered. W. Tudor Williams, tenor; David Reese, bass-baritone; David Howells, bass; Carey Booth, tenor, and J. H. Williams, tenor, were the soloists. R. M. Washington, D. C.—(See letter on another page). Zanesville, Ohio, February 8.—The Evolution of the Organ was discussed by Sutherland Dwight Smith of Pittsburgh, who gave a recital on the new pipe organ recently installed at the Brighton Church. Vocal numbers were given by Mrs. T. H. Infield and Helen Heinrich. The accompanists were Helen Rambo and Dorothy Ketler. R. M. OF UNITED ARTS Comprehensive Courses in Music and Other Arts 312 West 54th Street, New York Telephone, Circle 3954 ary 2. Her program was delightful throughout. Mme. Schumann Heink graciously forced her accompanist, Katherine Hoffmann, to share the honors with her. Assisting on the program was Charles Carver, bass, who sang with intelligent musicianship. The new band shell in Plant Park was opened January 31, and an excellent program was rendered to a large crowd. The quartet from Rigoletto was well _ sung by members of the Tampa Lyric Federation, who will present an opera season in February. The quartet was composed of Mrs. A. Bell, Mrs. A. B. Duffer, E. Kane and Nino Ruisi. A trombone solo was played by Salvatore Oriunno, leader of the band. The program was concluded by the chorus from the Lyric Federation. A free popular musicale was given at the Hamilton Piano Company, February 4. Those participating were Harriet Thorne-Rhoads, pianist; J. E. Bartlett, tenor; Margaret Fleet, contralto; John E. Norman and John E. Moran, readers; Mrs. D. M. Wilson and Clarence V. Ashbaugh, accompanists. The members of the Tampa Chapter of the U. D. C. gave a program in the Tampa Bay Hotel recently. Mrs. Claude Park, dramatic soprano, and Nancy Rawls, contralto, offered several selections. Mrs. M. L. Robb, cellist, played several numbers. Mrs. W. H. Ferris was the accompanist. M. M. S. Syracuse, N. Y., February 14.—The last concert by the Syracuse Symphony Orchestra was a tremendous success. The Keith Theater was crowded to capacity, ■even standing room being taken. This orchestra, which was organized last year through the co-operation of musicians, business men, musical clubs, the Chamber of Commerce and various other organizations in the city, has made great strides towards artistic achievement under the leadership of William H. Berwald. The program for the fourth concert this season was comprised of Dvorak’s New World Symphony, a Ballet Suite (Gluck-Mottl), and Tschaikow-sky’s Overture Solennelle. I he soloists was Gerald Maas, cellist, who played Popper’s Dance of the Elves. M. C. Terre Haute, Ind., February 12,—Under the management of George Jacob, Rachmaninoff made his first appearance in this city and was heard by one of the largest houses of the season. A joint recital by Alberto Salvi, harpist, and Arturo Bonucci, cellist, gave much pleasure to the patrons of George Jacob’s Artist Course. As a special attraction he presented the Russian Opera Company in Boris Godounoff, Snegourotschka and La Juive. All were well attended and enjoyed. Mr. Jacob’s enterprise and ability have won the sincerest endorsement and he has secured the confidence of the public by his judgment in the selection of artists. A recital of unusual interest was given by Edward Rechlin, organist; sponsored by Frederick Rechlin, brother February 2 2, 1923 regular monthly musicale and reception, February 1. Liza Lehmann’s In a Persian Garden was given by Mrs. Fred Jones, soprano; Mrs. Guy Simpson, contralto; Charles Stone, tenor, and David Griffin, baritone; with Walter Dunham at the piano. . An attractive stage setting of a garden made the cycle more interesting. Preceding the work, Amanda Haak, pianist, artist pupil of Walter Dunham, gave a number. The San Antonio Mozart Society, David L. Ormesher, director, presented Frieda Hempel in her Jenny Lind concert, February 2. Beethoven Hall was packed to its utmost capacity, extra chairs being placed in every space permitted by the fire department. The program was delayed half an hour to allow the huge audience to be seated. Preceding Mme. Hempel’s program, the Mozart Society sang Cujus Animann (Rossini-Werther). Eleanor Mackensen gave her usual tapable support at the piano. Mme. Hempel’s numbers were by Handel, Mozart, Schubert, Schumann, Benedict, Mendelssohn, Taubert, Taylor-Benedict and Bishop. Recalls and encores were necessary after each group. In the numbers requiring flute obligato she was assisted by Louis P. Fritze, who contributed two solos by Boehm and Beethoven. The accompanist was Coenraad V. Bos, who also gave numbers by Rachmaninoff and Chopin. The Mozart Society entertained at luncheon, February 3, with Mme. Hempel, Mr. Bos and Mr. Fritze as honor guests. Mr. Ormesher, director of the society, was toast master. The speakers were Marshall Eskridge and Mrs. J. G. Hornberger, president. Mr. Ormesher introduced the artists and Mr. Eskridge replied for Mme. Hempel. Marion Mercer Chase, mezzo soprano, sang Invocation to the Sun God, which was interpreted by Dorothy Heuerman, dancer. Eleanora Duessen gave some readings and Mme. Hempel graciously offered two numbers, The Wind and Dixie, accompanied by Mr. Bos. The Vienna Operetta Company, after a short tour of Texas cities, returned to San Antonio and presented three operettas, The House of the Three Girls, Augustine and Miss Dudelsack. On January 30, a program was given by K. Fuerstenberg, reader; Mrs. T. Duschek, soprano, and T. Kiendl, bass. Mr. Kiendl sang numbers by Mendelssohn, Beethoven and Wagner, Mrs. Duschek numbers by Thomas and Wagner and Mr. Fuerstenberg gave readings by Goethe and T. Kiendl. The San Antonio Musical Club entertained with a luncheon, February S, in honor of Josephine Lucchese and other members of the San Carlo Opera Company which opened its engagement February S. Miss Lucchese is a San Antonio girl and a former member of the various musical clubs of the city. Mrs. Krams-Bech, the president, was toast-mistress. Mayor O. B. Black welcomed Miss Lucchese in the name of the city and Mrs. J. T. Smith, vice-president, welcomed her in the name of the club. Miss Lucchese responded. Tamaki Miura was next introduced and responded with words of praise for Miss Lucchese and also said that she hoped the city would receive her as a sister as she had such pleasant recollections of the time she was presented in song recital by the San Antonio Symphony Society. Conductors Carlo Peroni and Aldo Franchetti and J. Interrante, baritone, were introduced. Miss Lucchese, Mme. Miura and Mr. Interrante contributed songs, accompanied by Mr. Franchetti. The San Carlo Opera Company opened with Rigoletto, with Josephine Lucchese as Gilda. After the second act Nat M. Washer, for the San Antonio Musical Club, presented her with a bas-relief of herself as Martha. The relief was made by Waldine Tauch of San Antonio, who has achieved fame as a sculptress. Martha was the second opera given in the title role of which Miss Lucchese covered herself with glory. Madame Butterfly was the last attraction of the San Carlo engagement. Rigoletto and Martha were broadcasted from the theater by WOAI and many favorable reports were heard. Hinshaw’s production of Mozart’s comic opera, Cosi Fan Tutte, was presented February S, under the auspices of the Beethoven Singing Society. S. W. San Francisco, Cal.—(See Music on the Pacific Slope). Tampa, Fla., February 3. — The Friday Morning Musicale visited the Carreno Club in St. Petersburg, January 17. The orchestra and the chorus combined on the .program given. The Pastoral Symphony, by Beethoven, and the Jubal Overture, by Weber, were played under the capable direction of Hulda Kreher. Mrs. Ernest Kreher gave an excellent rendition of the first movement of Mendelssohn’s concerto in E minor. Several choruses were sung with intelligence and finesse, Conrad Murphree conducting. The Gypsy Song from Traviata, and Deep River were especially remarked. A luncheon was served at the Poinsettia Hotel and a reception held at the Art Club. A program of Italian music was presented to the Friday Morning Musicale on January 19, beginning with early music and showing the development up to modern works. It was arranged by Helen Saxby. At the conclusion, Mrs. Smulski, a guest in the city, pleased with several songs. The program of Scandinavian music on February 2 was in charge of Mrs. C. A. McKay. Mrs. C. F. Dunham was given much applause after singing a Norwegian Echo Song. Miss Daniels, a guest of the club, sang a very grateful number and was recalled. She was accompanied by Mrs. Kennedy. The chorus sang two numbers with fine ensemble. A MacDowell Memorial program was given at the Victory Theater, January 26, under the auspices of the Friday Morning Musicale. This was given as a response to an appeal made by the General Federation of Women’s Clubs. The program was arranged by Mabel M. Snavely and Mrs. Charles Peeble. The finest local talent rendered some of MacDowell’s celebrated songs and piano numbers. Pinafore was presented recently by the Community Players of Tampa, for the benefit of the Business Girls’ Club. It was repeated for the tourists at a later date. The production was put on with local talent: Herbert N. Gallie, scenic director; Charles Kay Fleming, stage director; Earl Stumpf, musical director, and Helen Ray, pianist. The regular Sunday evening concerts, given during the tourist season at the Tampa Bay Hotel, have been attracting appreciative listeners from the town. Nancy Rawls, contralto, was heard to advantage, January 28. Under the auspices of the Friday Morning Musicale, William Wade Hinshaw’s company presented Mozart’s opera comique, Cosi Fan Tutte. Under the local management of S. Ernest Philpitt, Mme. Schumann Heink was heard St the Victory Theater, Febru- MEZZO-CONTRALTO Voice Builder and Coach Studio : 235 West I02nd Street, New York Phone:!River 6400 FOSTER HARRIET e GITÄ GLAZE *״״• SOPRANO Concert-Recital s: 708 St. Nicholas Ave., New York Phone 3722 Audubon ESTHER DALE SOPRANO Concert—Recital 731 St. Nicholas A ve.. New York Phone 1163 Audubon Julius KOEHL TEACHER of PIANO Studio: 581 East 28th Street, Brooklyn, N. Y. Phone Mansfield 6973 Terms on application William J® Drummond |— f Scientific Voice Development BH ■■ NORMAL TONE - ARTISTIC SINGING 336 West 72nd St L. R Macdonald, Sec'y Phone 5791 Columbus, New York ™ ™ Summer Address: New Glasgow, Nova Scotia, Canada Master H|| ■ voice: I U| Builder Coach I ■■■ ■ODORE SI CHI I0EI IEI R Pierce Building Copley Square Boston Mt. mb Mtü. 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