a Model
“A Concert Without a Flaw
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CLEVELAND
“His interpretation is well-ni a finished tone because he can’ Wilson G. Smith, Cleveland P
CHICAGO, ILL.
“Mr. Werrenrath’s medium of expression is rare among the best of concert singers.”—Maurice Rosen-feld, Chicago Daily News, October 16, 1922.
WASHINGTON, D. C.
“Here is a singer whose recitals might well be included in the curricula of schools for vocal instruction.” —Washington Post, November 25, 1922.
In 19 Cities the Press Makes History for “An Artist Among Sing
MADISON, WIS.
“ ‘Duna’ in which sustained soft tones combined with the beauty of word so to make the number one of the high lights, was only surpassed by ‘On the Roa Mandalay’ and ‘Fuzzy Wuzzy’ interpreted as only Werrenrath can do it.”—Wisco State Journal, Nov. 15, 1922.
“Werrenrath’s voice showed training of the highest type. Clarity of words, per enunciation, and a depth of expression were characteristic of his singing.”—Ca Times, Nov. 15, 1922.
INDIANAPOLIS, IND.
“Reinald Werrenrath, America’s favorite baritone, emblazoned Indianapolis’ mr firmament last evening. He is an artist .’’—Indianapolis Star, Nov. 18. 1922.
“He gave fresh evidence of that sense of style and regard for the purpos singing which makes Mr. Werrenrath an artist among singers.”—.Indianapolis N Nov. 18, 1922.
POTTSTOWN, PA.
“In writing of Reinald Werrenrath superlatives are necessary. Consequei the dictionary might well be searched and all its laudatory parts of speech emplc in describing adequately the song recital by the baritone. Few will dispute that a“ American male singers he stands supreme.”—Pottstozm Ledger, Nov. 23, 1922.
“Werrenrath sways audience in great musical triumph■ Reinald Werrenrath, great baritone artist, and beloved by all who know him and his art, sang last n before a 'large appreciative audience and held that big gathering in the hollow of hand while he sang, swaying them as he wished.”—Pottstozmi News, Nov. 23, 1922
JACKSONVILLE, FLA.
“Mr, Werrenrath is much more than a singer—he is an artist, and offers his ta in a way to win the approval of all who love music "—Florida Times Union Nov 1922.
“ ‘WERRENRATH CAPTURES AUDIENCE.’ His enunciation is perfect, doubt if he could have sung any song better a second time. The program left no reg: Massenet’s ‘Vision Fugitive’ is a beautiful thing and Mr. Werrenrath was magnifi in its interpretation,”—Jacksonville 'Journal, Nov. 28, 1922.
ATLANTA, GA.
“Reinald Werrenrath repeated and underscored his brilliant success of last sea Surely no one, could have sung so well as Mr, Werrenrath. In the Kipling ver Mr, Werrenrath, so far as I know, is supreme. No one transmits as he does the fire of Kipling composition.”—Atlanta Journal, Dec. 1, 1922,
“Mr. Werrenrath sang Pagliacci displaying the remarkable strength of his vo its rich shadings and true tones. Mr. Werrenrath’s splendid concert proved one the most attractive of the series.”—Constitution, Dec. 1, 1922.
WASHINGTON, D. G.
"He won the hearts of his audience that apparently would have been conten even delighted to sit and listen until morning.”— The Star, Nov. 25, 1922.
“From his first song, to the final encore, Mr. Werrenrath held his listeners un the spell of his voice, as minutely toned and mellow as a bronze bell. Other arti would do well to study Mr. Werrenrath’s methods.”— Times. Nov. 25, 1922.
GRAND RAPIDS	.	#
“Mr. Werrenrath’s position as an artist cannot be contested. He has an excellent vpice, charming manner, and great interpretative ability. Surely he deserves his quite pre-eminent position in the path laid out for himself.”—Grand Rapids Herald, Oct. 12 1922.
CHICAGO
“Mr. Werrenrath’s medium of expression is rare among the best of concert singers. Werrenrath is a favorite with Chicago’s musical enthusiasts.”—Maurice Rosenfeld, Daily Nexus, Oct.-16, 1922.
“Mr. Werrenrath is a singer of songs. He has the feeling for them and the vocal skill to express what is in his mind. People genuinely like to hear him sing.”—Mr. Karleton Hackett, Chicago Post, Oct. 16, 1922.
SMITH COLLEGE
“He is at home where many singers seem uncomfortable strangers, namely in the classics and in the ballads. Mr. Werrenrath has understanding and competence.”—Daily Hampshire Gazette, Oct. 25, 1922.
CLEVELAND, OHIO
“The story of critical satisfaction has become an old one. He makes a finished tone because he can’t make a crude one, and the result is that his song interpretation has become well-nigh perfect. What more can be said.”—Wilson G. Smith, Cleveland Press\ Oct. 28, 1922.
“Werrenrath sang superbly as is his wont. Let captious critics look for a flaw in this admirable singer’s performance, if they will. They will be put to it to find one.” —Cleveland Plain Dealer, Oct. 28, 1922.
DES MOINES, IA.
“He sang with consummate mastery. Mr. Werrenrath is a finished artist in the real sense of the word. His diction is matchless. He has a big voice of wide range, sonorous and rich.”—Des Moines Register, Nov. 4, 1922.
WINNIPEG
“The great baritone charmed them completely with the beauty of his voice, the delicacy and refinement of his artistry, and the warmth of his happy personality, and gave them from beginning to end an evening of undiluted enjoyment. His enunciation was perfect.”—Manitoba Free Press, Nov. 7, 1922.
CROOKSTON, MINN.
“An audience teeming with the sheer joy of the rare beauty of his voice greeted the American baritone, Reinald Werrenrath.”—Crookston Times, Nov. 8, 1922.
FARGO, N. D.
“Carried away with the beauty and power of his voice a crowd which taxed the capacity of the theater, paid tribute to Reinald Werrenrath’s superb work by storms of heartfelt applause. Werrenrath was given a reception seldom accorded anyone.”— The Courier News, Nov. 9, 1922.
“Musicians and other folk who frankly know ‘not a thing about music’ were alike caught in the spell. It is seldom that one hears songs Sung with the finished technique and penect understanding which Mr. Werrenrath gave them.”—Fargo Forum, Nov. 9, 1922.
Management: WOLFSOHN MUSICAL BUREAU, Fisk Building, New York City