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MUSICAL COURIER
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fine impression, both artists showing a sureness of technic which was equal to their perfect ensemble. Of the quartet numbers, Emerson Whithorne’s “Greek Impression5’ ahd the “Choeur Danse Russe,” by Rimsky-Korsakoff, were splendid contrasting compositions, both very much enjoyed.
B. G.
Pueblo, Colo.—Music Week was celebrated in Pueblo from May 7 to 14 with many varied and commendable programs. There were special services in the churches on May 7 and in the afternoon a children’s song festival was given under the direction of Wardner Williams. There were special organ, instrumental and vocal recitals during the week, together with band concerts and special music in all stores, theaters, orphanages, hospitals, and a children’s festival of folk dances and songs on Friday evening. The week closed with the big outdoor celebration on Sunday, May 14, in which a special feature was the 150 voice chorus of colored people singing negro spirituals. Among those whose names appeared on the programs during the week were Rebecca Emery, Mabel Stackus, Mrs. J. Vinson Adams, Thomas A. Christian, Mae Custer, H. C. Stillman, Per Olssen, Harper Gardner, Ethel Rees, Fred Broome, A. J. Humbold, Jr., William O. Hauser, Vera Franson, Mrs. W. J. Kidd, V. Z. Haven, D. P. Miller, Ruth Virginia Noel, Francis Schwinger, Ethel Larsen, Lenore Murray, Helen Livingston, Mrs. Ray McCarthy, Vance S. Keister, Fred Bartlett, Matt Jerman, Will Samuel, Leah Dana Rees, Charles Wilson, Elsie Wade, Charlotte Brecht, O. F.Fath, Mrs. Frank Flynn, Lucilla Baker, Helen Gould Walkinghood, Filomena Des Jourdins, Marguerite Schwinger, Louise Kinney, Ruth Lyons.	B. G.
Ramer, Ala.—Sarah Fountain, music supervisor, presented Sibyl Huey in her senior piano recital on April 26. Her program was made up of compositions of Liszt, Lys-berg, Goddard and Schütte. She was assisted by the glee club, which sang a number of charming songs. Inez Golson gave a reading and Margaret Huey and Gladys Steadham gave violin solos; Thomas’ “Japanese Song” was sung by May Walker, Louise Simmons, Julia Higgins, Janis Henry, Gladys Steadham, Elizabeth Kelso and Ruth Keahey.
On May 3 Miss Fountain presented Martha Reddoch and Vera Mapes in their junior recital, the program opening with a song by the glee club. Compositions by Brown, Chopin, Grieg, Lack, Gounod and Burand were given as (Continued on page 46)
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Mrs. Sam Jordan’s home was the scene of the entertainment, which was most enjoyable.	J. P. M.
Montreal, Can.—(See letter on another page.)
Muncie, Ind.—Grace Episcopal Church was filled when_ Stainer’s “Crucifixion” was sung by the choir, under the directionof R. Cameron Drummond, organist and choir master. This beautiful work is given annually and is always well attended. The soloists were Albert Beaugild, R. Harry Meyers, Frank Magrene, Earle Swain, Lester Milligan.
“The glory of the Resurrection,” by Charles Gilbert Spross, was given by the choir of High Street Methodist Church on Easter Sunday. The quartet—Mrs. Frank Lewellen, Mary Studebaker, Val Hahn and Frank Magrane —did excellent _ work in solo and ensemble. The chorus consisting of picked voices showed excellent tone quality and musicianship. Frank Bunn is the director and Homer Walk the organist.
The Matinee Musicale closed a most successful year with a musical tea at the Hotel Roberts, May 3. Reports of chairmen showed increased activity in every branch. The junior department, under the leadership of Eva Atkinson has - increased its membership to 177, the largest junior organization in the State of Indiana. Much inspiration and encouragement was gained by attending the State convention of the Federation of Music Clubs, held in Indianapolis, April 3, 4, 6.
Robert Quick, a seventeen-year-old boy of this city, was heard in a violin recital, April 23, at the high school auditorium. This youth plays with a technical brilliance and tonal variety which at once places him above the average. His program included the Bruch concerto, theme and variations by Tartini-Kreisler, ballet music from “Rosamonde,” and the Sarasate “Ziguenerweisen.”
Muncie is very proud of her contribution to the musical world. Orville Harrold’s success at the Metropolitan is well-known. Edwin Swain, baritone, is becoming very popular in concert. Mary Luddington, pianist, and accompanist for Sergei Klibanski in New York City; Alice Singer, harpist, on her way to Paris with Mildred Dilling to study with Mme. Renne, and her latest “find,” Robert Ouick. are others.	H. M. B.
Nashua, N. H.—(See letter on another page.)
Pintlala, Ala.—An amateur minstrel show was given here on April 21 by students of the high school, which served in bringing out much fine talent.	J. P. M.
Portland, Ore.—(See “Music on the Pacific Slope.”)
Pratt, Kans.—The Zoellner Quartet made its first appearance here in Pratt, May 8, at the high school auditorium, and captivated a fairly large audience by the sheer beauty of its playing. Joseph Zoellner, Jr., cellist of the organization, gave an interesting talk preceding the concert on chamber music and later in the evening collaborated brilliantly as pianist with Antoinette Zoellner in the Grieg sonata, op. 13, for violin and piano. This work made a
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Swartz), who played several piano solos. Margaret Fisher and Mrs. I. Swango acted as accompanists.
Yolanda Mero, who played here recently, has the warmth, the fire, the perfect poise that makes her a great pianist. A splendid technic, a tone quality which is exquisite and finished, an interpretation which satisfies and rare musical intelligence are hers. She opened with a group of Chopin. These were charming, for she understands the musical language of the great Pole as few pianists do. Her Liszt numbers were also excellent. It will be many ' a day before Mme. Mero and her wonderful playing will be dimmed in the memory of those who heard her.
The- recital of the Missoula Male Chorus on April 30 at the High School was very successful. The large auditorium was filled by an appreciative audience to hear the chorus and the songs by Director DeLoss Smith and Mrs. Homer M. Parsons and the violin numbers by Hilda Chapman. The chorus gave evidence of splendid training, under the leadership of Mr. Smith. The medley of southern songs received the most popular favor; effective also was Grieg’s “Land Sighting,” in which Lynde Catlin sang the bass solo. The chorus was assisted by Mrs. Harold High, who sang the soprano obligato in the “Quiet Valley,” her sweet clear tones blending well with the voices of the male chorus. Mrs. Parsons sang a group of three songs by Landon Ronald, making a favorable impression. Hilda Chapman won her audience with the beautiful rendition of the first movement of Wieniawski’s concerto, No. 11. She also played the “Meditation” from “Thais.” The heartiest applause of the afternoon went to DeLoss Smith, director of the chorus, who sang a composition of his own, “Consider the Lilies,” and “Mother o’ Mine,” by Tours.
A packed house witnessed the pageant given May 4 at the Liberty Theater by the music department of the Woman’s Club. Elsa Swartz wrote the history, which was read from the stage by Mrs. R. H. Jesse. The Gregorian chant, sung by a robed and hooded octet, and a song by Troubadours, waS- followed by a series of folk songs and dances representative of various nationalities. Mesdames Stromnes and Woodford sang a Scandinavian duet and gave a folk dance. Marie Stephens, Harriet Walker and Dorothy Rector contributed Russian, Scotch, and Spanish folk dances, respectively. The audience demanded a repetition of the scene from “II Trovatore,” in which Don Worden sang. The most appreciated number of the evening was the ballet, coached by Claribel Corbin. In this, five-year-old Eleanor Madson was particularly delightful. Although the whole ballet was excellent, Jean Kramer, as leading dancer, deserves special credit. Worthy of special mention are Mrs. Homer Parsons, who took over the burden for all of the rehearsals; Miss Corbin, trainer of the ballet; Miss Swartz, historian; Mrs. Larson, director of the vocal ensemble, and Mrs. Tv M. Pearce.	E. A.
Montevallo, Ala.—Riccardo Martin, American tenor, sang here last night before the students of the Alabama Technical Institute and College for Women, and was ac-cored an ovation. His program was varied and artistic, and perhaps one of the finest ever given here. The students feel a special pride in Richard Martin, son of our sister State, Kentucky.	J. P. M.
Montgomery, Ala.—The Woman’s Auxiliary of the First Presbyterian Church gave a “Musical Silver Tea,” at the home of Margaret Booth on April 25, when the following well known musicians gave a beautiful program: Mrs. Howard Gerrish (soprano), Olive Gardner (pianist), Mrs. C. E. Ingalls (soprano), Annie Laurie Holt, Mrs. Gerrish and Fanny Marks Seibels (violinist). Dora Sternfeld was the splendid accompanist for the singers and violinists.
The music for Memorial Day was rendered by the Treble Clef Club with Mrs. George Lynch, soloist, and G. Guy Smith, director. David W. W. Fuller sounded “Taps.”
“Miss Springtime,” a musical comedy, was given at the Grand Theater on April 24. The principals were Mary Frances O’Connell, Florence Peebles and Jack Stone, with a bevy of girls and boys from the Junior Choral Club, and many others in the choruses and dance numbers. This was under the patronage of Governor and Mrs. Thomas Kilby, for the benefit of the Children’s Protective Home, and was under the direction of Torrey T. McKenney, of the John B. Rogers Producing Company, and Mrs. E. E. Cobbs. The Tisdale Orchestra furnished the accompaniments. The affair was highly enjoyable and well patronized.
The Lanier Choral Club of the Sidney Lanier High School, under the able direction of Marie Whiteman, supervisor of music in the public schools, gave a splendid program in the high school auditorium on April 23. The girls’ glee club sang several selections and the following were heard in special numbers: Motie Sherrill, Vernarah Strickland, Annie Mae Briscoe, Margaret Butler, Meta Brassell, Ellen Daniels, Idonia Carr, Maxine Elliot, Fred White and Annie Mae Briscoe. “Florinda” (fairy story) was given by Mary Alice Cooley, Margaret Cochran, Ellen Sanderson, Rebecca Schulwolff and chorus of witches and fairies; accompanists were Marie Brink and Mabel Grisson.
The Treble Clef Club entertained its active and associate members with a fine musical program, presenting the following soloists:	Mrs. W. R. Helie, soprano; Mrs. George
Lynch, soprano; Percy Helie, violinist; Mrs. Arden Bradley, pianist. There were two choral numbers by the club, under the direction of C. Guy Smith. Mesdames Guy Smith and S. G. Tarilton were the splendid accompanists, and
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