May 25, 1922	M U S1C A L C O U R1E R	13
FRED PATTON, BASSO PROFUNDO AND BARITONE CANTABILE, IN WHOSE VOICE AND ART ARE REINCARNATED ALL THAT WAS BISPHAM AND PLANCON.
—Dr. J. D. Logan, Halifax Herald.
I HAVE HEARD SANTLEY, MILES, FOLI AND BISPHAM IN ELIJAH BUT PATTON WAS THEIR EQUAL.
— Walter Heaton, F. R. C. O., Reading Herald-Telegram.
A TENOR, BARITONE AND BASS ROLLED IN ONE.
—Dr. Herbert Sanders, Ottawa Journal.
ONE OF THE VERY BEST BASSOS IN AMERICA TODAY.
—Philadelphia Public Ledger.
ONE OF THE BEST BASSOS HEARD IN ORATORIO
OF LATE YEARS.	—Boston Globe.
GREATEST ORATORIO BASS IN THE COUNTRY TODAY.
— Worcester Gazette.
SO MARVELOUS THAT ONE IS TEMPTED TO
EXTRAVAGANT PRAISE.	—E. W. Lightner, Pittsburgh Dispatch.
HIS TONES RESEMBLE THE OPEN DIAPASON NOTES
OF AN ORGAN.	—Ridgewood Herald.
ON A LEVEL WITH THE BEST EXPONENTS OF ELIJAH PAST AND PRESENT
A MAGNIFICENT RICH BARITONE.	—Danville Register.
A MAGNIFICENT BASS-BARITONE.	—Spartanburg Herald.
—New York Mail.
THE KING OF BARITONES.
Management:
HAENSEL & JONES
Aeolian Hall, New York City
REENGAGED BY NEW YORK SYMPHONY ORCHESTRA
DECEMBER 7-8, 1922
TWELFTH ENGAGEMENT WITH WALTER DAMROSCH
WITHIN THREE YEARS