12
IBIBIM
Manchurian
FOX SCARF
nth her
!■■At send y°ar and address and I will send vtiSl this fur scarf to you. You don’t pay one penny until the fur is delivered at your door by the postman. This is a wonderful opportunity of getting a $9.00 scarf for $4.45. Our price is amazingly low. Compare it with others and see for yourself.
A Fashion Necessity
Every stylish woman is wearing a fur scarf witl coat, suit, dress or waist. It is appropriate for every occasion. This scarf is made of Manchurian fox, which has long, soft, silky hair. This in not the genuine American *ox, but will wear much better than the genuine. Scarf is a large animal shape with head at one end and tail and paws at the other. Lined throughout with all-silk lining. Also has silk ruffle around neck. Very large and graceful. Colors: Black, Lucille brown or taupe gray, nryn liniAf 3U8t your name and address —no dElllll HU I* money. When the fur scarf arrives pay the postman $4.45 for it. We have paid the delivery charges. Wear the scarf. If you don’t find it all you expected, return it and we will cheerfully refund your money at once. This is our risk—not yours Be sure to give color. Order by No. 17.
Walter Field Co. Dept.B lOChicago
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MOOSEHEART MAGAZINE
What is Home-Making Worth?
By Mary Anderson, Director, Women’s Bureau. U. S. Department of Labor.
Banish YOUR Ailments
new jobs and in increasing numbers into the jobs where they have always worked. What the Women’s Bureau is doing to lighten their burden is a story that Miss Anderson leaves largely untold. But with her assistants she is herself toiling daily in the interests of these workers.
The Women’s Bureau is young. It has been permanently established for only a year. Yet already it has accomplished much to obtain for women wage rates equal to those of men for similar work. The Bureau advocates wages based on the job, not on the sex, and a minimum wage based on the cost of living. Through posters, exhibits, and other means, even movies, it is telling to the country the story of woman’s employment and of woman’s needs in industry. In a word, the Women’s Bureau of the Department of Labor is the government representative of every wageearning woman in the country, and is pledged to the utmost effort for their advancement.
James J. Davis.
It gives me pleasure to endorse the following article by Mary Anderson, Director of the Women’s Bureau of the United States Department of Labor, describing the highly important work belonging to that bureau. No one can fail to be touched by the story she tells. No one can fail to be impressed by the picture she paints of the woman wage earner’s lot, as the faithful workers in the Department of Labor see it and seek to better it. What she says will make every American man pause and think. We cannot do too much for the great, patient body of women toilers— 12,000,000 of them engaged in gainful employment in our country.
Fortunately, much is being done to improve their working conditions, to secure for them better wages, and reasonable hours. _ Miss Anderson is chiefly concerned with painting the conditions of women wage earners as they are laid before the Women’s Bureau for help. Women are working in every industry in the country. They are at work in nearly every occupation. Every day they are going into
Get rid of your ailments and physical defects. Banish the weaknesses that make your life a wretched failure. What good is life anyway, when one day of misery just follows another with no relief in sight, and big bills to pay for dope and drugs that can never help you and may seriously injure you.
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LIONEL STRONGFORT
Physical and Health Specialist
Dept, 423, Newark, New Jersey
STRONGFORT The Perfect Man.
the kind of work her daughters were doing in a factory could not work more than eight hours a day and 48 a week. “Pa and the girls know they get mighty tired after eight hours’ work, but they seem to forget when they get home and wait for me to dish up supper and clean up afterwards that I started working to get their breakfasts a whole lot before they started working on their jobs.” Thus, stronger and louder is being heard the plea of the woman who works without recognition in the home for a consideration to that given to the worker in industry.
The women gainfully employed in 1910 numbered 7,438,686; of this group only 3,037,686 married women were reported . But there were about 18,000,000 other married women in the country, and every one of these women who told the census enumerator when he came around that she didn’t work for wages anywhere hut kept house and looked out for the children, every one of these women is classified as “not gainfully employed.” And yet, think what the value of her services may be. Think of the actual labor she performs in her home, of the cooking, washing, sweeping, cleaning, sewing, that she must do day after day if she is to keep her family up to the mark, and do her share in the partnership of husband and wife. Can any one truly say that this kind of work is not gainful and productive? The woman in the home takes the raw material and manufactures it into the finished product just as the woman in the factory does her part in turning out canned foods, crackers or finished garments. The only difference is that the woman in the home does the whole job from start to finish. If she is going to put up some tomatoes she often plants them, waters and cultivates them, picks them, peels them, cooks them, sterilizes the jars, fills them with the cooked tomatoes, seals them, washes them, labels them, packs them away, and later on cooks them again and serves them to her family. This woman must know a thousand different things if her product is to be satisfactory. She must be deft and wise in many different ways. Yet she is classified as not gainfully employed.
What does her sister do who works in a canning factory down the road? She sits all day and peels tomatoes— nothing else. She has no responsibility in the plant except for that one operation. She knows nothing of the care these tomatoes must receive before and after they leave her hands. As far as her employer is concerned she knows nothing except how to do her one job well. And she does not have to stop to dress the baby and to answer the door and to put the ice in the refrigerator, keeping her eye all the time on that kettle full of tomatoes bubbling away on the stove and fearful that it may burn or boil over. Such strenuous work as running this sort of a three-ringed circus is not dreamed of by the factory worker,
(Continued on page 17)
“Why doesn’t somebody notice us?” a mother and homekeeper said when she heard that her husband’s union was striking to get an eight-hour day and that the State had just passed a law which said that women doing
Cot oot this ad and mail it to os, with your name and address (nomoney); and we will send you our famous KARNAK RAZOR by return mall, postpaid. You may ose the razor for SO days FREE; then it Foote¡it, gay'08 |1 85 If you don’t like it return it. SEND NO MONEY*
MORE COMPANY. Dept. 485 St. Louie. Mo.
I Teach Piano a Funny Way
DR. QUINN AT HIS PIANO
Prom the Famous Sketch by Schneider, Exhibited at the St. Louis Exposition.
your teacher’s finger movements from MEMORY —which cannot always be accurate—you have the correct models before you during every minute of practice. The COLOROTONE and QUINN-DEX save you months and years of wasted effort. They can be obtained only from me. and there is nothing else, anywhere, even remotely like them.
Men and women who have failed by other methods have quickly and easily attained success when studying with me. In all essential ways you are in closer touch with me than if you were studying by the oral method—yet my lessons cost you only 43 cents each—and they include all the many recent developments in scientific teaching. For the student of_ moderate means, this method of studying is far superior to all others, and even for the wealthiest students there is nothing better at any price. You may be certain that your progress is at all times in accord with the best musical thought of the־ present day, and this makes all the difference in the world.
My Course is endorsed by distinguished musicians who would not recommend any course but the best. It is for beginners or experienced players, old or young . You advance as rapidly or as slowly as you wish. All necessary music is supplied without extra charge. A diploma is granted. Write to-day, without cost or obligation, for 64-page free booklet, “How to Learn P iano or Organ.”
FREE BOOK COUPON
! QUINN CONSERVATORY, Studio MH28
598 Columbia Road, Boston 25, Mass.
| Please send me, without cost or obligation, | your free booklet, “How To Learn Piano or | Organ,” and full particulars of your Course I and special reduced Tuition Offer.
So People Told Me When I First Started in 1891. But now after over twenty-five years of steady growth, I have far more students than were ever before taught by one man. I am able to make them players of the piano or organ in quarter the usual time, at quarter the usual cost.
To persons who have not previously heard of my method, this may seem a pretty bold statement. But I will gladly convince you of its accuracy by referring you to any number of my graduates in any part of the world. There isn’t a state in the Union that doesn’t contain many skilled players of the piano or organ who obtained their training from me by mail.
Investigate by writing for my 64-page free booklet, “How to Learn Piano or Organ.”
My way of teaching piano or organ is entirely different from all others. Out of every four hours of study, one hour is spent entirely away from the keyboard — learning something about Harmony and The Laws of Music. This is an awful shock to most teachers of the “old school,” who still think that learning piano is solely a problem of “finger gymnastics.” When you do go to the keyboard, you accomplish txcice as much, because you understand what you are doing. Within four lessons I enable you to play an interesting piece not only in the original key, but in all other keys as well.
I make use of every possible scientific help— many of which are entirely unknown to the average teacher. My patented invention, the COLOROTONE, sweeps away playing difficulties that have troubled students for generations. By its use, Transposition— usually a “nightmare” to students—becomes easy and fascinating. With my fifth lesson I introduce another important and exclusive invention, QUINN-DEX. Quinn-Dex is a simple, hand-operated moving picture device, which enables you to see, right before your eyes, every movement of my hands at the keyboard. You actually see the fingers move. Instead of having to reproduce
I Name
I
K Address
E
Marcus Lucius Quinn Conservatory of Music
Studio MH28
598 Columbia Road, Boston 25, Mass.